2153 W. 21st St., Chicago, IL
Opening Reception @ September 8th, 2018, 6 - 9 PM
“I am one of those people whose presence raises questions. I am very often greeted with, ‘where you from’ even in the town where I grew up. ...You’re in somebody else’s house. You are not in charge… Part of being from is an embodiment of what is thought to typify a place, a way of being. Ji Su Kwak reflects on her outside status with a deadpan gaze at someone else’s way of looking. She gathers snapshots from strangers. Who knows what they mean to the folks who took them. There is a sense of remove, a gap between a mnemonic device that recalls a memory and an image removed of its narrative content. We are left uncertain. The images feel familiar, more so because likenesses are lost in Ji Su’s simplifications. We have been there, made that gesture, shared a drink or the meal, gathered to be included in the group that was there. Pushing the shutter release defines the group, or reasserts its definitions. Drawing these images does something else. Asks questions about nostalgia more than steeping in it. Refuses to recognize. Sees from further away without actually being further away.
Amaranth Borsuk and Julie Wills wrestle with aphorisms. They uncover something about truth: it is locally produced. The tenor of moral declaration stems from familiarity rather than a self-evident quality. Amaranth and Julie address language in a call-and-response format, mirroring the malleability of things we hold so dear, so true, so foundational. When we are not in the place where values or identities come from, the inner workings of structures come into play, and with a bit of work that play can lead us to focus.
The approaches come together in the contradictions they share. The conflation of presence and absence. Uncovering ticks and tricks of letting in and keeping out. Longing to be inside when inside looks exactly like where you already are.”
A Call to Action: Seeking Justice for "Comfort Women" Roundtable Discussion
KAN-WIN Community Room,
1440 Renaissance Drive, Suite 460, Park Ridge, IL
3 – 5 PM, Sat, April 28th, 2018
Why is it important for us to remember the history of “comfort women”? How can we draw global attention to the issues more effectively? What can we do now to contribute to the conversation?
This roundtable discussion will examine the challenges and ways forward in promoting justice for “comfort women.” Anyone willing to share their thoughts and build a network of support in bringing awareness to the issues of “comfort women” is welcome!
SAIC SHOW 2018 Spring Undergraduate Exhibition
Sullivan Galleries, School of the Art Institute of Chicago,
33 S. State, 7th floor, Chicago, IL
March 10th - 30th, 2018
Reception @ March 10th, 2018, 12 - 6 PM
Necessary Discomfort: "Comfort Women" in Art & Activism Symposium
The LeRoy Neiman Center 1st Floor, School of the Art Institute of Chicago,
37 S. Wabash Ave, Chicago, IL
Day 1: 4:30 – 7 PM, Thu, March 8, 2018
Day 2: 4:30 – 6:30 PM, Fri, March 9, 2018
A two-day symposium on "comfort women," referring to women across Korea, China, Japan, the Philippines, Taiwan, Burma, and Indonesia who were sexually enslaved by the Imperial Japanese Army from 1932 to 1945.
The symposium will focus on the issues around "comfort women" in the context of international human rights with emphasis on art and activism for social justice. A central question this symposium will address is: what role does art play in addressing collective trauma? The mission of the symposium is to emphasize artistic practices as a powerful cultural tool that directs public impact towards a transnational movement for human rights.
Necessary Discomfort: "Comfort Women" in Art & Activism Symposium Featured in FNewsmagazine
Top 10 Artists of the Year 2017 Award
selected by Circle Foundation for the Arts located in Lyon, France.
My work and interview will be featured in Circle Quarterly Art Review.
ArtMaze Mag Anniversary Autumn Issue 5
Curated Selection by Jacob Rhodes, Director and Co-Founder of Field Projects Gallery, New York.
The issue is available for purchase at McNally Jackson Books, NY; Do You Read Me?!, Berlin, Germany; White Cube Gallery & MagCulture, London; Magalleria, Bath; Magazine Brighton, Brighton, UK; P A P E R C U T, Stokholm, Sweden; Athenaeum Nieuwscentrum, Amsterdam, Netherlands and via ArtMaze Mag online shop.
Send Your Location
Curated by Zara Monica Wee & Haley Jung
33 Orchard Gallery
33 Orchard Street, New York, NY
Pop-up @ August 25th, 2017, 5 PM - 9 PM
"Relocation is only a step (in a series of steps with unknown length) towards where I belong to."
Sparked by the ceaseless movement in and out of New York City, "send your location" embraces the act of migration charged by our restless ambitions. The exhibition celebrates the impulse and pursuit of artistic endeavors despite the nebulousness of relocation. The pop-up emphasizes the transient nature of its resident artists while flirting with the idea of permanence.
Iterative Information, Origin Ongoing
Curated by Adia Sykes & Alden Burke
Dean's Office, School of the Art Institute of Chicago,
37 S Wabash Ave, Chicago, IL
June 28th - October 6th, 2017
Crude Creatures Contemporary Art Gallery
1747 S Halsted St, Chicago, IL
Nov 13th - Dec 7th, 2015
Opening @ November 13th, 2015, 6 - 10 PM
As imperfect beings, humans desire infinite potential despite their inevitably limited time and ability. Although we continuously frame ideas and eliminate the undefined in attempts to seek clarity, our lives remain as the continuum of equivocality. In such equivocality filled with the repetitive acts of categorizing and effacing, The Dispensables aims to reconsider categories/frames/distinctions per se.
The Dispensables occupies the transient, conceptual space where the distinctions between Art and Life, Persona and Ego, Idea and Reality are blurred. Through communications facilitated by this temporal blurring of distinctions, the presented objects and performances search for the meaning of perpetually equivocal life in the ephemerally ambiguous space – among prevalent uncertainty, what is “dispensable?”